I am not an expert in blockchain technology, but I am well-versed in creating digital art. When it comes to statistics and security, I tend to tread carefully, as errors in these areas can have significant consequences. Despite my reservations, I do have a basic understanding of the technology that underpins blockchains and NFTs, even though I may not delve too deeply into the technicalities.
For my latest art collection, I have decided to collaborate with Metagood, the creators of the Ordinals collection OnChainMonkey, to release it on the Ordinals protocol. This collection marks my first foray into using Bitcoin as the platform, moving away from my previous works on Ethereum and Tezos. Drawing from my experiences on other chains, I aim to bring a fresh perspective to my art on the Bitcoin blockchain.
One of the key features that drew me to Ordinals is its on-chain nature. Everything is contained within the protocol itself, with no external assets or dependencies. This self-sufficiency sets Ordinals apart from other generative art platforms that rely on external libraries for certain functionalities. Moreover, Ordinals allow for interconnectivity between different pieces, enabling creators to reference and remix existing assets within the protocol.
The concept of recursion within Ordinals is particularly intriguing. Each Ordinal is tied to a unique Satoshi on the Bitcoin blockchain, enabling them to be ordered sequentially. This ordering system allows for the creation of complex pieces by combining multiple assets from different Ordinals. Additionally, the parent-child relationship feature adds another layer of security by requiring proof of ownership to reference another Ordinal as the parent.
By leveraging these features, creators can establish provenance for their art pieces and explore new possibilities for generative art on the Bitcoin chain. While Ordinals may not offer the same level of flexibility as smart contracts, they provide a robust framework for building innovative and engaging collections.
My latest collection, titled “FrontLine,” is a reflection of recent events and the ongoing struggle between opposing forces. Inspired by the ethos of the OnChainMonkey community, I sought to capture the dichotomy between good and bad, light and dark, order and chaos. The artwork embodies the constant battle between conflicting algorithms, each vying for dominance within the space.
As the creator, I view the FrontLine as a metaphor for the choices we make and the constant evolution of our understanding. The blurred lines between right and wrong, good and bad, highlight the complexity of decision-making and the ever-shifting nature of morality. Ultimately, the FrontLine represents the ongoing conflict within ourselves and society at large.
In conclusion, the FrontLine collection is a testament to the creative possibilities offered by Ordinals on the Bitcoin blockchain. By embracing the unique features of this protocol, I have been able to explore new artistic horizons and challenge traditional notions of generative art. As I continue to innovate and push boundaries, I invite others to join me at the FrontLine and embrace the unknown.